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BOSTON GRAND PIANOS

Designed by STEINWAY & SONS, employing the unique patents and expertise that have made the STEINWAY heritage synonymous with musical excellence, the Boston line of grands represent a singular achievement: a superior playing experience at a price level never before thought possible.
The best-in-class Boston grand just got even better. The new Boston Performance Edition II now features a luxurious Kewazinga Bubinga veneer on the inside rim (on Ebony finish grands) and a stunning rose-gold colored plate. We’ve also upgraded to black felts for the plate, under the fallboard, and around the pedals. A rescaled bass and treble wire lower string tension provides increased sustain, better tone clarity, and a deeper, clearer bass.

The Boston PE II also includes the major enhancements previously introduced with the original Performance Edition in 2009, including a maple inner rim (found only in the finest pianos) and the patented Octagrip™ pinblock. In combination, these enhancements further elevate the Boston Performance Edition II piano to a class by itself in the mid-price range.

explore THE BOSTON GRAND

The special case of the grand piano, called the rim, reveals the design legacy of Steinway & Sons behind the Boston. The rim contributes to the stability of the piano, offering support for the soundboard. The outer rim consists of several layers of mahogany, and the inner rim of the Boston grand is made of hard rock maple. This high-quality hardwood is pressed with horizontally oriented grains, providing more stability, and exceptional power and richness of sound.

The wide-tail design of Boston grands is a special Steinway & Sons innovation that creates more surface area in the soundboard. This enriches the sound, giving the pianist the impression of playing on a larger piano. Boston grands are wider at the tail than most pianos of the same length — allowing a larger soundboard area and producing a richer sound. The larger soundboard area also permits better placement of the bass bridge — which yields more volume, greater tone, and a bass that sings.

High-grade, straight-grained, quarter-sawn spruce is used for its resonant qualities and for its high strength-to-mass ratio. The soundboard is solid and not laminated, creating the best resonance and projection of sound In 1936, Steinway patented the diaphragmatic soundboard, designed to be thicker in the middle and gently tapered to the edges. The Boston soundboard has tapered thickness from bass to treble. A thinner soundboard in the bass area vibrates more freely. So you get a bigger, richer, fuller tone.

One of many proprietary Steinway & Sons innovations, the patented Octagrip™ pinblock can only be found in Boston pianos. The Octagrip™ pinblock is made of 11 layers of hard rock maple glued in different grain angles of 60 degrees. This quad-directional structure grips the tuning pins from eight directions, ensuring a tight fit, uniform pressure, and smoother tuning — affording greater stability under tension and enabling the piano to stay in tune longer.

Every single piece of the piano vibrates while being played —except the plate, which is dedicated to a single function: ensuring total stability. Thanks to Steinway & Sons’ design expertise, based on its long history of research and innovation, this cast iron plate can withstand the nearly 20 tons of string tension created by the 220-plus individual strings.

Each of the 88 keys of a grand or upright piano transmits its movement to a small, felt-covered wooden hammer which strikes one, two or three strings. In 1880, Steinway & Sons introduced pear-shaped hammers with reinforced shoulders and metal ligatures to ensure superior stability and a more powerful sound. This exclusive Steinway & Sons design is also a part of Boston grand and upright pianos. Boston’s Steinway-type action geometry yields faster reptition, better stability, and heightened responsiveness — allowing the musician to play with maximum expresssion and control.

“You can hear the effects of the Steinway & Sons design from one end of the scale to the other.” BOB WINTER

BERKLEE COLLEGE OF MUSIC

THE MODEL THAT IS right FOR YOU

GP-215 PE

With a length of 215 cm, this instrument is the largest model in the Boston range of grand pianos. Like all Boston pianos, it features the patented Octagrip™ pinblock and the maple rim, offering the highest level of playing comfort for pianists and amateur artists as well as institutions.

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GP-193 PE

This grand piano stands out for its warm sound, and it is a highly suitable choice for educational institutions.

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GP-178 PE

With a length of 178 cm, this grand piano is an excellent instrument for professionals and for private use. It can be purchased in black or white.

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GP-163 PE

With a length of 163 cm, this grand piano is ideal for almost any home. The expanded case hides a larger, freely resonating soundboard that generates rich, sonorous sound. It can be purchased in black or white.

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GP-156 PE

Even the smallest Boston grand piano generates a full richness of sound thanks to its expanded case and, as a result, is bound to give you abundant pleasure, even if you only have a small amount of space for a large instrument.

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Amateur Solo Category Period Category Popular Category Overall Winners (Period) Overall Winners (Popular)
Age Definition Duration Baroque Classical Romantic Contemporary Theatre/Broadway Film Jazz/Blues Anime Pop Songs
6 and below Born 1 Jan 2019 or later 5 mins Best Baroque Best Classical Best Romantic Best Contemporary N.A. N.A. N.A. N.A. N.A. +1st, 2nd, 3rd Prize
8 and below Born 1 Jan 2017 or later 5 mins Best Baroque Best Classical Best Romantic Best Contemporary N.A. N.A. N.A. N.A. N.A. +1st, 2nd, 3rd Prize
10 and below Born 1 Jan 2015 or later 7 mins Best Baroque Best Classical Best Romantic Best Contemporary Best Theatre/Broadway Best Film Best Jazz/Blues Best Anime Best Pop Songs +1st, 2nd, 3rd Prize +1st, 2nd, 3rd Prize
12 and below Born 1 Jan 2013 or later 7 mins Best Baroque Best Classical Best Romantic Best Contemporary Best Theatre/Broadway Best Film Best Jazz/Blues Best Anime Best Pop Songs +1st, 2nd, 3rd Prize +1st, 2nd, 3rd Prize
14 and below Born 1 Jan 2011 or later 9 mins Best Baroque Best Classical Best Romantic Best Contemporary Best Theatre/Broadway Best Film Best Jazz/Blues Best Anime Best Pop Songs +1st, 2nd, 3rd Prize +1st, 2nd, 3rd Prize
16 and below Born 1 Jan 2009 or later 9 mins Best Baroque Best Classical Best Romantic Best Contemporary Best Theatre/Broadway Best Film Best Jazz/Blues Best Anime Best Pop Songs +1st, 2nd, 3rd Prize +1st, 2nd, 3rd Prize
18 and below Born 1 Jan 2007 or later 11 mins Best Baroque Best Classical Best Romantic Best Contemporary Best Theatre/Broadway Best Film Best Jazz/Blues Best Anime Best Pop Songs +1st, 2nd, 3rd Prize +1st, 2nd, 3rd Prize

Competition Requirements

Categories

  • Category 1 – Ages 11 and below (i.e. born on or after January 1, 2011)
  • Category 2 – Ages 12 to 14 (i.e. born between and inclusive of January 1, 2008 and December 31, 2010)
  • Category 3 – Ages 15 to 17 (i.e. born between and inclusive of January 1, 2005 and December 31, 2007)

Repertoire requirements

  • Participants must present 3 contrasting selections.
  • Repertoire must include the first movement of a Sonata by Haydn, Mozart, Beethoven, Clementi, or Schubert.
  • No concerti or transcriptions are allowed.
  • Participants are required to perform the exact same repertoire for further stages of the competition.
  • Auditions will be conducted in a continuous, live-recording manner. Re-takes are not allowed.

Duration
Maximum 20 minutes

Entry Fees
$250

Competition Requirements

Categories

  • Category 1 – Ages 11 and below (i.e. born on or after January 1, 2011)
  • Category 2 – Ages 12 to 14 (i.e. born between and inclusive of January 1, 2008 and December 31, 2010)
  • Category 3 – Ages 15 to 17 (i.e. born between and inclusive of January 1, 2005 and December 31, 2007)

Repertoire requirements

  • Participants must present 3 contrasting selections.
  • Repertoire must include the first movement of a Sonata by Haydn, Mozart, Beethoven, Clementi, or Schubert.
  • No concerti or transcriptions are allowed.
  • Participants are required to perform the exact same repertoire for further stages of the competition.
  • Auditions will be conducted in a continuous, live-recording manner. Re-takes are not allowed.

Duration
Maximum 20 minutes

Entry Fees
$250